Category: Inspiratie/inspiration

Two pages in my sketchbook. I have been re-working a stamps collection and chose for a limited color palette of 3 colors: orange, blue and light blue. I'm inspired by existing stamps but don't copy them. Some details are left out, certain fonts are adjusted and, anyhow, colors are customized. For orange and blue I used fine microns, light blue is executed in colored pencil.

This space control toy in bright turquoise blue dates back to ca. 1950. I'm planning making many more drawings of old toys because of a sense of nostalgia. No one better than Bill Bryson to describe the spirit of time of the 50's and 60's:
"I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy-five more. I knew what the world looked like when viewed through a jelly-o lens. I knew how things tasted, pencil ferrules, coins and buttons ..."
This passage comes from "The Life and Times of the Thunderbolt Kid", a book from 2006, describing Bill's youth growing up during the 1950s. Highly recommended! For this drawing I used some Posca's and I refined the details with colored pencils.

I'm a nature lover and a keen gardener and when I encountered this beautiful quote while surfing on the internet, I immediately knew I wanted to do something with it! When I make an illustration like this, in my sketchbook, I always start drawing a few small details in pencil, tracing the outlines with my fineliner and filling in the background, all with the same fine pigment liner. I never have a plan set out in advance, so I just draw and make it up as I go, and each decision I make creates a kind of set of rules to follow.

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EMILY DICKINSON

14/10/2021

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I'm always inspired by nature, by plants and trees. And I keep coming back to the poems of Emily Dickinson because she was also a lover of nature. Sometimes when reading one of her poems, in my mind, I immediately see what the following finished page in my sketchbook will look like. This illustration was done in one day, couldn't stop drawing. It's not always going smoothly like this though, sometimes I start a project, only terminating it after a long time.

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LAVENDER

5/8/2021

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Twice lavender. On the right side an embroidered piece from maybe twenty years ago. I used to be an embroidery teacher and this lavender in a pot was a design I made for my students to recreate. I came across it while searching on my PC and made this drawing yesterday.

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EMBROIDERY AND PATTERN

24/5/2021

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I have been teaching embroidery for over 30 years. One of the techniques in the curriculum was Blackwork. And, after so many years, this inspired me to fill two whole journals with drawn patterns. I started at the beginning of the Covid period and am now nearly at the end of my second book. I can recommend it to everyone: I think it is the best way to slowing down and relax! And it really is amazing how many different patterns you can come up with, just starting with a line, a dot, a square, rectangle or lozenge.

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BOTTLE CAPS COLLECTION

17/3/2021

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This is a - nearly finished - drawing from a collection of bottle caps. I only used 3 different sizes of black pigment liners. Why did I choose for crown corks? Because there's such a big variety of type in them. It made me reflect on the fact that every design, how simple it may look, is carefully thought of. And there's only limited space! I learned a lot about type by making this drawing.

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EMBROIDERY

8/10/2020

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In my previous life I was an embroidery teacher and I loved practicing it till the last day. All my embroidery pieces are in a cardboard box now since many years. This is a needlepainting embroidery. I got my inspiration from Indian art and it represents a tree of life, a subject that frequently pops up in folk art from all over the world.

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September 12th, 2020

12/9/2020

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Last week I discovered a French draftsman and architect that I did not know yet: Jean‐Jacques Lequeu (1757–1826).
Lequeu’s meticulous drawings in pen and wash include highly detailed renderings of buildings and imaginary monuments populating invented landscapes. His mission was to see and describe everything systematically - from the animal to the organic, from erotic fantasy to his own visage. Solitary and obsessive, he created the fantastic worlds shown in his drawings without ever leaving his studio, and enriched them with characters and stories drawn from his library.

Six months before he died in poverty and obscurity, architect and draftsman donated more than 800 drawings to the French Royal Library. They remained there, in the institution that would become the Bibliothèque nationale de France.