Category: Poëzie/poetry

My latest concertina book is the prime example of achieving a satisfying outcome despite of having little or no inspiration. I started with the vintage safety match box - found on the net - because of the sunflower. The writing and painting tools followed. And in the end I added the calendar where I filled in everyday temperature, measured promptly at noon. The whole book forms a unity because of the color yellow. The more wintertime approaches, the more I feel the urge to use warm color schemes because it makes me forget cold and mist and rain and the early dark of winter's evening.

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I like to draw plants in a medieval way ánd I love this poem from Edwin Morgan about strawberries. And so, the two came together in my sketchbook. Don't know if I'm going to add some colors or not, what do you think?

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Back in 2000 I designed this poetic text for a headstone. At the time I just started drawing Roman capitals. Looking back now, I'm not too disappointed but spacing between letters and words could be a lot better. I don't like the ligature on the second line and the tail of the R is too weak. This design would benefit to be improved :) The text is from a German poet, Rainer Maria Rilke. Here it has been translated in Dutch, and I'll try to translate into English, as good as I can :

It is time
It was a great summer
Now put the shadow on the sundials
and let the wind float over the fields

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I'm into blue and white pottery these last few months. It's not that I go crazy over Chinese bone, but I admire those artists from the distant past who were incredibly talented and inventive and I love to immortalize their art in my sketchbook. The illustration is accompanied by an inspiring text about beauty from the book 'El Profeta' by Kahlil Gibran.

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I'm always inspired by nature, by plants and trees. And I keep coming back to the poems of Emily Dickinson because she was also a lover of nature. Sometimes when reading one of her poems, in my mind, I immediately see what the following finished page in my sketchbook will look like. This illustration was done in one day, couldn't stop drawing. It's not always going smoothly like this though, sometimes I start a project, only terminating it after a long time.

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A few weeks ago, I made this drawing of a Chinese vase in my sketchbook. I really love to elaborate in detail all those elegant motifs that show the mastery of the designers from centuries ago! And a poem should not be missing here :)

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SKETCHBOOK

10/6/2020

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Just a new page in my big sketchbook. These names are of people who mysteriously disappeared at sea during the last 75 years and whose whereabouts remain unknown. Many disappeared while on voyages or traveling via aircraft. I thought it a worthy opportunity to pay attention to these sad cases.

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SKETCHBOOK

10/10/2018

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This is a new lino cut print design with one of my favorite sayings. One of these days I will start the cutting (love that) and the printing and it will turn into a new card. I'm planning a whole series of new lino print cards with quotes that I love!

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GEDICHT / POEM

28/3/2018

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Tekst: Paul Cleempoel

Dit werkstuk dateert uit de tijd voor ik begon met illustreren. Ik realiseer me nu dat ik nooit meer zoiets maak. Dingen veranderen voortdurend. Aan het einde van de jaren 90 had ik het gevoel dat ik een groot deel van de historische lettervormen in de vingers had: van Romeinse minuskels en kapitalen, over gotisch, uncialen en half-uncialen tot de karolinger en zijn variaties. Ik kon ze redelijk perfect schrijven en dat was dat. Dan begin je je te realiseren dat het daar stopt of dat daar een nieuw avontuur begint: op zoek naar een eigen stijl. Het was niet eenvoudig, maar uiteindelijk vond ik mijn eigen stijl: het combineren van kalligrafie en illustratie.

This is an older piece from the time before I started illustrating. I just now realize that I never make pieces like this anymore. Things are constantly changing. At the end of the 90's I had the feeling that I had become master in most of the historical letterforms: from Roman minuscules and Capitals, over Gothic, Uncials and Half Uncials to Carolingian and its variations. I could write them fairly perfect and that was that. Then you start realizing that that's where it ends or where a new adventure starts: looking for your very own style. It has not been easy but in the end I found my own style: combining calligraphy and illustration.

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LEONARD COHEN INSPIRED

END OF SUMMER

STRAWBERRIES

I like to draw plants in a medieval way ánd I love this poem from Edwin Morgan about strawberries. And so, the two came together in my sketchbook. Don't know if I'm going to add some colors or not, what do you think?

HEADSTONE

VASE IN BLUE

EMILY DICKINSON

CHINESE PORCELAIN

SKETCHBOOK

SKETCHBOOK

GEDICHT / POEM

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I like to draw plants in a medieval way ánd I love this poem from Edwin Morgan about strawberries. And so, the two came together in my sketchbook. Don't know if I'm going to add some colors or not, what do you think?​

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I like to draw plants in a medieval way ánd I love this poem from Edwin Morgan about strawberries. And so, the two came together in my sketchbook. Don't know if I'm going to add some colors or not, what do you think?