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A glimpse into one of my small Moleskine sketchbooks. The only material I used here was a black fineliner. The texture of the paper is pleasantly soft and quite thick so that the ink doesn't bleed through. I love working in black and white but, on the otherhand, I am very fond of colors. Next time, I'll be posting some colorful pages in another Moleskine sketchbook.
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In early summer I started this new project. I was going to make a new concertina book about insects in my own garden. So, every day for more than 3 months, I have been strolling in the garden, looking for any small creatures. Armed with my phone, I took pictures of snails, bees, bumblebees and beetles, butterflies and spiders, flies and mosquitoes. At first I was afraid that it wouldn't be possible to encounter a wide variety of insects but in the end, I'm quite happy with the result! Until now, I may be proud of the amazing amount of 72 different creatures with the most poetic Dutch names.
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A simple pencil drawing can be so satisfying. Slowly and carefully drawing, focusing on the area just below the pencil, observing every detail of the subject. I try to draw every day. Mihaly Csikszentmihalyi, a Hungarian-American psychologist is the architect of the notion of FLOW, which is “being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement and thought follows inevitably from the previous one. Your whole being is involved, and you’re using your skills to the utmost.” And an old Chinese saying, quoted by David Hockney, says: “Drawing needs three things, the heart, the hand and the eye, two won’t do.”
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How inspiring our garden is this time of the year! At the center of the picture below, you can see the Aralia elata, a multi-stemmed tree with its beautiful autumn discoloration and, in my view, an indispensable tree for any garden. The white flowers bloom in late summer with large panicles and are quite showy and very attractive to bees. These flowers are followed by clusters of small black berries that ripen from late summer into fall and are quite attractive to birds.
I started a small concertinabook with all of the gardening tasks I should carry out this autumn and maybe winter. Fingers crossed that it doesn't keep raining as it has recently. The garden is very argillaceous and therefore not fun to walk through!
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Cet été j'ai eu la chance d' animer un atelier dans un de mes régions préférées de la France, le Provence. Le petit village nommé Lurs était un rêve de paix en pleine nature provençale et, pour cela, très inspirant.
Et oui, tous ces livres accordeon sont le travail de mes excellents étudiants. J'espère qu'ils ont autant appris de moi que moi j'ai appris d'eux! Chaque jour était un délice même avec la chaleur intense. Un très grand merci à cette compagnie internationale: Jean-Luc, Suzanne, Françoise, Sylvie, Francisco, Aurélie, Philippe, Francesca et Sylvie, et une sincère reconnaissance à Philippe et Cristine pour la parfaite organisation du stage!
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At the end of last year, for several weeks, I used an app on my phone to record bird songs. I was quite curious about how many different birds would come to our garden or fly over? Every day, early in the morning, I put my phone on the windowsill for about 15 minutes and I must say, I was rather surprised about the result: 34 different species until now. We are not so very far from a few nature preserves and the birds are not all coming into the garden but still! This was a good starting point for a new concertina book and ... I learned a lot about birds, their names and how they look!
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I like to draw plants in a medieval way ánd I love this poem from Edwin Morgan about strawberries. And so, the two came together in my sketchbook. Don't know if I'm going to add some colors or not, what do you think?
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I'm a nature lover and a keen gardener and when I encountered this beautiful quote while surfing on the internet, I immediately knew I wanted to do something with it! When I make an illustration like this, in my sketchbook, I always start drawing a few small details in pencil, tracing the outlines with my fineliner and filling in the background, all with the same fine pigment liner. I never have a plan set out in advance, so I just draw and make it up as I go, and each decision I make creates a kind of set of rules to follow.
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I'm always inspired by nature, by plants and trees. And I keep coming back to the poems of Emily Dickinson because she was also a lover of nature. Sometimes when reading one of her poems, in my mind, I immediately see what the following finished page in my sketchbook will look like. This illustration was done in one day, couldn't stop drawing. It's not always going smoothly like this though, sometimes I start a project, only terminating it after a long time.
